Category Archives: Film

Film Trends & Issues on Modern Media Mix

Is La La Land Singing for Musical Movies?: The Return of the Modern Movie Musical

Hollywood has a long-standing history with the movie musical, the golden age of musical theatre movies gave us stars such as Fred Astaire and Ginger Rogers. Yet, for the last several decades, the large-budget, over-the-top musical movies had fallen out of Hollywood’s good graces. Rewire did a great in-depth look of the historical context of Hollywood’s musical love affair.

La la landLa La Land’s success definitely brought the old-fashioned Hollywood musical back into the spotlight, but with the huge popularity of Broadway shows like Hamilton it will be far from the last musical movie adapted from the stage or otherwise to come to the big screen in the next few years. In fact, Aladdin, American Idiot and more are in some stage of production according to an article in Playbill.

Hollywood is also tapping into some of Broadway’s hottest talent to act direct and more for these new movie musicals. To name a few, Ben Pasek and Justin Paul were tapped to compose for the ode to the Hollywood musical La La Land, who currently have a Tony award winning musical Dear Evan Hansen currently running on Broadway. The pair also composed for the upcoming release The Greatest Showman based on the life of PT Barnum, as well as collaborating on some new songs for the live action version of Aladdin.

Lin-Manuel Miranda is another perfect example of this, getting in with Disney via Moana, has now composed for the upcoming Mary Poppins returns which he also starred in beside Emily Blunt, as well as additional forthcoming projects from Disney animation. Needless to say, he’s kept plenty busy since leaving Hamilton in July of 2016.

Damien Chazelle also has everything coming up roses for him since the success of La La Land, since he landed a deal to direct several episodes of Netflix’s new musical series The Eddy. The series will center around a nightclub, the house band, and its owner. On top of directing Chazelle will also be executive producing according to Variety.

The series marks a first for Netflix being its first venture into musical theatre of any sort for its original programming. This could mark a new era into musical theatre being made by streaming services instead of exclusively broadcast networks and large studios.

Musical theatre within television has seen much less of a downturn, seemingly being much more steady over the years. Shows like Glee definitely brought it back into the limelight, but the phenomenon of the musical episode was definitely popular long before. With shows like Buffy the Vampire Slayer tackling it as early as the late 90s to 2000s. Many shows since have gone on to do one off musical episodes, including Grey’s Anatomy, Once Upon a Time, and The Flash being a few in more recent years.

La la landShows like Crazy-Ex Girlfriend have gone so far as to build their entire premise around it, and have numerous awards including Emmys and Golden Globes to show for it. While not always the most highly rated, it’s critic’s darling status kept it around for a third season. Which will premiere on the CW on October 13th on the CW network.

Overall, the fate of the Hollywood movie musical seems sealed, with musical theatre reaching younger audiences and Broadway being out of fairly reach for most teenagers. Hollywood movie musicals may land in a sweet spot for many of the newest generation of musical theatre fans, provided Hollywood can cater to the hip crowd.

-Taylor Lien

Disney’s Distribution Dilemma: Coco Needs Some Frozen Fever

What happens when movie fans become upset with your upcoming release and you are worried about the potential loss in ticket sales? You slap some Frozen on it and call it good. This is, in my opinion, exactly what Disney has done with its upcoming release of Coco. They are able to use this technique to support Coco mainly because Frozen is such a coveted property.

FrozenWhile, as I will discuss later, using this method of premiering shorts in front of films is not something new for Pixar, it is becoming something new for other distribution and film companies particularly within the independent arena. Utilizing this method could lead to additional revenue sources for these companies.

Before we get into the thick of things with Frozen and the other companies, let’s discuss Coco and why fans are so upset with Disney. Some of you may remember a certain 20th Century Fox film titled The Book of Life.

According to reporting from Polygon, it’s a colorfully animated film that tells the story of “living characters venturing into the Land of the Dead” based around the Mexican holiday Dia de los Muertos. Music also plays a huge role in this film. What’s the issue with Coco? It’s basically the same.

  Frozen

Disney’s Pixar actually announced their concept for Coco slightly ahead of 20th Century Fox, they just beat Pixar to the box office. While this fact may help Pixar’s reputation slightly, it is hard to change audiences’ minds once a rumor takes hold.

Another reason fans are upset with Walt Disney and Pixar over Coco involves the composition of the production crew. The Book of Life had “several Mexican producers and animators onboard” while initially Coco had an all Caucasian team lined up. After some additional outrage by fans, Disney enlisted an all Latino cast for the film along with a “coalition of cultural consultants.”

Additionally, the Walt Disney Company did not do itself any favors in the publicity department when it attempted to “trademark ‘Dia de los Muertos’” as the original name for Coco. Not a smart move, but if Disney knows how to do one thing right it is to use magic. In this case, hopefully to save a movie from flopping at the box office.

This is where Frozen comes into the equation as a saving force for Coco. The third installment in the Frozen series, Olaf’s Frozen Adventure, will premiere exclusively in front of Coco in theaters. This may seem normal for Pixar as it has been a tradition since A Bug’s Life was released to include an original short at the beginning and/or a feature short included in the credits as “outtakes”.

Some examples of these include: For the Birds released with Monsters, Inc.; Blue Umbrella released with Monsters University; Piper released with Finding Dory; and Jack-Jack Attack that was in The Incredibles credits.

For a full list of films and their accompanying shorts click here.

Frozen  Frozen

Normally these shorts are created by so called amateur animators and generally are not directly affiliated to any major property. Coco’s short, on the other hand, is a well-known Disney property that had a lot of effort put into it.

The point of contention occurs regarding the originally planned distribution method for Olaf’s Frozen Adventure. Early in its development it was said that ABC, which Disney owns, would premiere it as a television special. Eventually deemed “too cinematic” it was decided the short film would become a theatrical featurette instead. For more on this click here.

While this may seem a coincidence, I feel as though the Walt Disney Company realized they wouldn’t fully recover from the lingering “ghost of The Book of Life” and their “ill-fated ‘Dia de los Muertos’ trademark attempt” without taking additional measures. Can you say oops?

FrozenAll in all, the Walt Disney Company realized that Coco’s box office performance wouldn’t be at par with what they needed, so they altered the distribution pattern for Olaf’s Frozen Adventure. Now having it paired with Coco in theaters not only gives the feeling of exclusivity, but it will also draw all of the Frozen fans to the theaters to see the next installment in the very well established franchise.

Interestingly enough, the Walt Disney Company is not the only one putting exclusive content in the form of short films ahead of major releases. Within the independent film business, Neon is a company that is starting this trend up again.

Neon, the “distribution shingle launched by Tim League and Tom Quinn” (Winfrey) buys independent short films and places them with their other independent properties for distribution. The first installment for Neon was 5 Films About Technology which premiered alongside Colossal. As of now, Neon only places shorts in front of its own properties, but only time will tell if they decide to sell the rights to short films to other distributors.

Is placing short films with major releases an effective method of distribution for major film studios to use in the future to get a larger audience in attendance?

-Piper Davis

The Minions Sure Know How to Rake in the Big Bucks

This past summer has had numerous box office hits, including the worldwide release of Wonder Woman, Guardians of the Galaxy Vol.2, Spiderman: Homecoming, Dunkirk, Cars 3, Pirates of the Caribbean: Dead Man Tell No Tales, Baywatch, Atomic Blonde, and Despicable Me 3, which happened to bring in the most revenue at over $1,005,854,581 and was ranked second-biggest animated opening of all time (The Numbers). So how does a film, like Despicable Me 3, generate all of this revenue?

MINIONS

The blockbuster film emerged in the 1960s when Hollywood studios were experiencing financial difficulties due to the Paramount Decree, where these films helped the studios to “differentiate their products from the supply of competing media, such as television and helped revive the theater as a privileged place for the film experience and high quality entertainment,” stated Tanner Mirrlees (Designing Global Entertainment Media, 2013).

In fact, some of the biggest blockbuster films that were mass marketed and released, was George Lucas’s Star Wars and the hit film Jaws– along with many others. These films emphasized the exchange value of high-concept, mass-marketed, mass-released, and mass-targeted films, complemented with synergetic merchandising.

Blockbusters are able to stand out from the rest of films as they have large budgets, are marketed globally as high-concept and “must see” events, have big releases, and are designed to create as much revenue as possible, not only by collecting box office receipts, but by also spinning off commodities.  They also target a global, rather than a national based audience.

MINIONS The Despicable Me franchise has shown that there is life outside Pixar and Disney, both commercially and artistically in the blockbuster animation world. Despicable Me features the “despicable” character of Gru, and its little yellow creatures that are shaped like Tic-Tacs, in my opinion.

With Universal Pictures and Illumination Entertainment as the main production companies, the overall budget of the film was estimated at about $80 million, nearly matched by its $75 million opening weekend (IMDb). The 90-minute film, however, did not look as promising as the previous Minions and Despicable Me 2. In fact, the opening weekend was 14% lower than Despicable Me 2 and 37% lower than the Minions had opened up with (The Numbers).

The PG animated film raked in over $260 million in domestic revenue and over $748 million in foreign revenue. The largest foreign market was China, raking in over $158 million, with Japan coming in second at over $61 million (Box Office Mojo).

Its strategic marketing also had a lot to do with its success. Bloomberg reported that Universal’s parent company, Comcast, and its partners spent a combined $593 million publicizing the film, with less than half going towards traditional TV and print ads. The Minions have truly taken over the market appearing on merchandise, Tic-Tac packages, Chiquita Bananas, iPhone cases, Twinkies, etc.

Another franchise that has done well outside of the U.S. is the Ice Age franchise, where more than 80% of its revenue comes from the foreign box office. In fact, the fifth installment bombed its U.S. opening but went on to succeed in the global market (The Numbers). Opposite of this foreign success, Finding Dory and The Secret Life of Pets both had stellar runs at the U.S. box office, where Finding Dory was able to gross over $782 million globally.

Feel free to respond with your own personal opinions on how the Minions and the Despicable Me franchise has continued to succeed over the past few years. Are you a fan? Or, are you surprised at how successful this animated franchise has become?

Link to the trailer: https://www.youtube.com/watch?v=euz-KBBfAAo

-Savannah Necker

Moana: Disney’s Venture into New Seas, You’re Welcome?

Moana is a Maori and Hawaiian word that roughly translates to “ocean, wide expanse of water, or deep sea.” (behindthename.com). Leave it to Disney to take this translation literally and produce a marketing campaign that was equally expansive and in a sense, deep.

MoanaMoana is Disney’s latest animated feature film to come out riding strong on the so called “Frozen wave” established with the release and success of Frozen in 2013. To ensure this success, the official trailer stated that Moana was “from the creators of Frozen” to provide a credible base for the film to stand on with viewers.

Disney used a variety of marketing tactics from the traditional to pushing the boundaries of what is new. The few that I will be discussing in this post are the traditional posters, trailers, and television spots along with the new Weather Channel backgrounds and full out vessel takeovers. Much like with Tangled, this campaign had a more boy-friendly feel to it. It was filled with more action clips than a more traditional Disney campaign would include.

Firstly, it would not be a marketing campaign without trailers and posters to constantly remind us that the movie is coming. Moana had several posters created to show off the main characters, the setting, and intrigue the audience about the plot line to be followed. In addition to this, a teaser and full official trailer were created to further intrigue audiences about the film.

The recent Olympics in Rio De Janeiro also gave Disney a unique opportunity for this campaign. What better time to advertise then when it’s quite possible the whole world could be watching? Granted it most likely aired in specific markets, but there were still high volumes of audiences. Thus, producing an extended promo was a good call on the part of Disney to ensure maximum exposure with relevant audiences.

Moving on now to the newer and more unique marketing strategies that Disney perused; starting with its frequent marketing partner, The Weather Company. What this company does is offer geotargeted promotions through its Weather Channel App. These appear in the form of branded backgrounds on the current weather screens of its users.

While other movies have used these branded backgrounds, such as The Penguins of Madagascar in 2014 produced by DreamWorks Animation, Moana was the first to use the new animated backgrounds. The backgrounds that users saw were based on the current weather conditions in their area. The branded backgrounds mimicked those conditions and subtly brought them to life.

There is one shortcoming that I can see with this campaign thus far; it was only available in select markets within the U.S. For a complete list of these cities and markets and more information about these branded backgrounds, click here.

One more element was incorporated within this app to appeal to the consumer desire for convenience. The app allowed users to purchase tickets to Moana at local theaters through a specialized website: Moanatickets.com.

A new adventure that Disney took on across the pond, in the UK, was turning an MBNA Thames Clippers’ catamaran into a Polynesian Wayfinder vessel. Thames Clippers provide river bus and cruise services on the Thames River in London. This was MBNA’s first partnership with Disney and with any company on a theatrical release for that matter. The goal was to immerse the customers in the movie and make them inclined to see it.

Perhaps saving their best promotional tool for last at the annual D23 Conference, Disney brought out the big guns to talk about the movie: Dwayne “The Rock” Johnson who voices Maui in the film. It may come as a surprise, but The Rock can sing ladies and gentlemen. If you haven’t heard his song yet, please watch it below. It will hook you and have you singing for a while. Which leads me to my next and final point.

Marketing and promotion for this film extends beyond everything done before the movie’s release date. Disney has several of its own official YouTube channels, one of which is called DisneyMusicVEVO. Often these channels contain the songs and most popular clips from the animated films.

This serves as a marketing tool in two ways: one to lure new viewers into the theaters by hearing about such songs either from word-of-mouth or by stumbling across the videos. Two to catch repeat viewers who see the video and realize how much they liked the movie and return to see it again.

Disney has produced an impressive campaign to market Moana to a diverse set of audiences, while also returning to its core demographic of young females as it is a female-centric film. Personally, I have not seen the film, but am intrigued to do so since “Your Welcome” has been playing on my computer for multiple weeks now. If you are curious as to how well this campaign translated into dollars for Disney on opening weekend, click here.

What are your thoughts about the movie in general? What aspects, if any, of this campaign drew you in to see the movie? Do you think that Disney went too far in its campaign by taking over a tourist vessel or was it simply a genius marketing move on their part? Feel free to leave a comment below.

Piper Davis

10 Cloverfield Lane: Infecting Fans with Viral Marketing

10 Cloverfield Lane and its predecessor, Cloverfield became cult favorites not only because of the films themselves, but in large part due to the mystery and speculation that accumulated around their respective viral marketing campaigns. Cloverfield of course wasn’t the first film to utilize viral marketing as a way of generating buzz (most people would likely point to The Blair Witch Project for that title), but it’s fair to say that the marketing for the original Cloverfield perfected the strategy.

The first teaser trailer for what would eventually be known as Cloverfield was shown in front of screenings of the first Transformers film. The trailer didn’t even include the title of the film, only a release date. From there, the mysterious journey began. Interested fans soon unearthed several websites connected to the release date and other details from the trailer (none of which can be linked to currently because most were running on an outdated version of flash which is no longer supported by almost all computers.)

Once these websites were discovered and decoded, word spread to various film blogs, news, and entertainment sites. The intrigue around this project grew and grew up until the day it was released. Eventually, the first Cloverfield was produced on a $25 Million budget, and made $170 Million at the box office worldwide.

The first teaser for 10 Cloverfield Lane was released during the super bowl in February of 2016, with a release date showing the film was going to come out only one month later. With its connection to the original Cloverfield, fans of the film knew there was more to the story. They unearthed an official full trailer as well as an electronic correspondence between two of the film’s characters. All of this immense detail was revealed without ruining anything regarding the plot of the film itself. 10 Cloverfield Lane went on to earn $108 Million at the box office on a $15 Million budget.

Utilizing a strategy of viral marketing on the first Cloverfield was an extremely risky move. Cloverfield wasn’t an established brand and had no recognition whatsoever. There was no guarantee viewers would find, or even be interested in finding, the secret websites set up to advertise the film, however both of these films were great successes. Why? J.J. Abrams famously describes his method of storytelling as the “mystery box” where the filmmaker keeps as many elements as secret as he or she can so as to amaze the audience when the mystery is finally revealed. Creating a campaign of viral marketing around a film or other piece of media made with this “mystery box” mentality brings viewers deeper into the mystery itself, often revealing more questions than answers. This makes viewers invested in the story and the film before it’s even released, virtually guaranteeing that their interest will translate into ticket sales.

Cloverfield

We’ve seen since the late 90s that viral marketing can be a great way to cheaply create buzz and excitement around a low budget film through word of mouth and free publicity. With its intricate and interconnected branches of its marketing strategy, Cloverfield and 10 Cloverfield perfected the art of essentially spending as little money as possible for the greatest reward.

Olivia Guns

Nintendo is Switching Things Up: But How Effective is the Switch?

What’s all this commotion about a “Nintendo Switch?” If you live under a rock and haven’t heard yet, the Nintendo Switch is Nintendo’s new gaming console that is both a home console and portable gaming system hybrid, allowing gamers to play games in their homes and on the go.

“Nintendo’s innovative new console lives up to the hype,” according to many websites like Vice. And they’re not wrong. Just look at the first few minutes of Nintendo Switch’s Presentation Reveal! Can you feel all that hype through all those lights, sound and that countdown?

Why is there such a hype for Nintendo’s console in the first place? Nintendo is a strong brand and has a strong fan base. Nintendo has captured the hearts of many gamers from the Nintendo 64, to the Wii, along with many of their iconic IP characters such as Mario and Link. No wonder the Switch looks successful even before its official launch!

There were many rumors about the Nintendo Switch before the official reveal. While that could be bad for the company, one wonders if those leaks were intentional. It certainly helped enhance the already existing hype for the new console. And the rumors were very detailed, stating before any crucial information about the console was officially revealed that it would be a hybrid console.

While the Wii may have been a huge success for Nintendo, its advertising campaign…wasn’t that great. And don’t let me get started on its successor, the Wii U. Even the name of the console itself wasn’t the best.

Nintendo needed to switch things up. Which is why the Switch is so perfect. It’s innovative and what the consumers want! Plus, the product itself works well, many who have already gotten the chance to hold a Switch have stated that it just feels right.

The name itself is clever and works brilliantly. It’s catchy and tells the consumer what the product is all about: switching up the gameplay. Even their advertisement as well as the Switch short animation logo are quick, simple, effective & catchy. You won’t be able to have that little animation and click sound out of your head.

The Campaign Switch!

Nintendo SwitchThe Switch’s campaign itself was fairly simple. It started out with a system reveal trailer that clearly shows what this new gaming system is all about. However, it is missing commentary and other key information such as an official game lineup and release date. The missing information may have been also used to enhance the already high hype surrounding this console.

This trailer was followed a few months later by an official one hour long Nintendo Switch Presentation which aired and was streamed worldwide live. In it, Nintendo officials showed off and explained various features and games that will be coming out the Nintendo Switch.

Many ads were also released afterwards, as well as some airing during the key time frame for American audiences: The Super bowl. Nintendo also uses a lot of social media, especially twitter to let their fans know when and how new information about the new console will be released.

The ads themselves are also well done. They aren’t too confusing, showing what the product is and its potential.

Switch up the timeline?

The most confusing aspect of Switch’s campaign, is it timeline. Why all the wait? Why was the NX (Nintendo’s Switch working title) not revealed at E3 (a summer gaming convention, known for its gaming consoles and games reveals)? Why was the Switch revealed by a short trailer with no commentary and followed with no new information for months until the presentation?

While many people argue that this is a failure of the Switch’s campaign, I see more potential in its reasoning behind it. I believe this timeline was intentional to add even more hype to the console. Since the console was surrounded by a lot of mystery and many fans, this wait made them even more excited and curious for this console. Even when rumors started surfacing that Nintendo wasn’t going to be able to make a console by March 2017 (since there was no new information regarding the console officially from Nintendo for a long time) and that the NX was already dead, everyone was getting their wallets out, excitingly waiting for any new information they could get. Carefully teasing, one by one its fans, Nintendo found a new and innovate way to hype up their new product before its launch!

The Overall Switch?

Overall the Nintendo Switch has a very effective campaign. The product itself works, its ads are simple and clear and the console is living off its hype. What about you? What do you think? Are you excited for Nintendo’s new console? Do you plan on getting it on its release, March 3 2017? Do you plan on getting it in the future? Do you think it will succeed or is it getting to much hype and will come crashing down as a disappointment?

Clara Tosi

Ryan Helps FOX Fix Their F**k Up: The Marketing of Deadpool

It all started with a clip of test footage. In 2011, the fully 3D animated video was leaked online and received massive attention. Of course, it starred the infamous Deadpool, cracking a few jokes and murdering a few bad guys. Fans realized this was definite proof of FOX debating whether or not to make a feature film for the “merc with a mouth.” Finally, after a few years of support and fans climbing up FOX’s ass about the idea, they made their decision.

From the beginning Ryan Reynolds was the man destined to play Deadpool on the big screen. Eventually, the director was announced to be Tim Miller. Of course, Reynolds had portrayed a version of the character before, in X-Men Origins: Wolverine, but it didn’t exactly become a fan favorite character. Actually, Reynolds has stated that it was the lowest point in his career. This of course, became Reynolds drive to reinvent the on-screen character that both he, and the fans, wanted.

Eventually the release date, February 12, 2016, was announced, and soon after, the eventually beloved advertising campaign began. Primarily focused around TV spots and online videos, Reynolds and Miller set out to utilize Deadpool’s most unique trait in promoting the film. This, of course, being his tendency to break the “fourth wall,” talking to the audience and constantly throwing around references from the real world. This strategy provided the filmmakers with a very powerful means to entertain their audience, even months before the movie was in theaters.

The first video they created was simply a “trailer trailer,” or a very short video, advertising the release of the full-length trailer. It featured Deadpool, using a deep, narrator-esque voice while sitting in a leather chair smoking a pipe. He addressed the audience, simply informing them of the soon-to-be, full-length trailer.

Aside from the countless, typical trailers released all over the globe, anticipating fans were giving something a little more outreaching. Leading up to the film’s release, FOX produced a couple of “international” advertisements with Reynolds. One consisted of him merely discussing the concept of “Australia Day,” while jabbing viewers with a couple stereotypical Australian jokes, overlaid with a decent Australian accent. Another took place at some sort of Mexican festival, with Deadpool running around frantically, most likely saying some funny shit in Spanish.

A more peculiar addition to the campaign was a pair of PSAs, starring Deadpool of course. In one, he goes on to explain to men how to check their testicles for signs of testicular cancer. In another, Deadpool hands the mic to a female narrator, who explains to women how to check their breasts for signs of breast cancer. This was quite a peculiar way to advertise their product, but it was entertaining and quite hilarious at times.

Whether it was through breaking the fourth wall, breaking international borders, or breaking social norms by telling people to feel themselves up for safety, the creators behind the marketing for this film did a magnificent and entertaining job. The film ended up becoming the second highest grossing, rated-R, film of all time (as of 2016). And was all-around well-received by both fans and critics.

-Josh Comer

 

Why We Went “La La” for La La Land

What made La La Land so successful? Was it the star power of Ryan Gosling, Emma Stone and John Legend? Could it have been the amazing music? Perhaps it was the plot and storyline? As it turns out, it was probably all three.

la la land

It seems that Director Damien Chazelle took note in recognizing that “everyone loves a classic” and took the classical route the whole way, including in La La Land’s marketing plans. While Lionsgate still utilized all advertising platforms expected of movies these days, La La Land did it in a way reminiscent of years ago, nodding to classic film aspects that La La Land references. The quality of the posters speak for themselves:

Of course, it would have been quite the impressive fail had the star power of Ryan Gosling, Emma Stone and John Legend not brought the views in as well. For Chazelle to be lucky enough that Gosling and Stone had wonderful chemistry on set was the cherry on top: La La Land would be a hit.

La La Land was a hit of course, with the combined help of stars, posters, and trailer releases that did great, coming second only to Lion on Facebook likes/followers and official trailer views in the Academy Awards Social Media Competition, and ranking first on YouTube trailer comment growth with flying colors.  (See Here for more of Fanbridge’s charts) To add to their social media success, they also had ranked number one on Instagram follower growth.

A few well-known YouTube stars such as Dodie Clarke and Jon Cozart helped La La Land and shared their own talents with the world with a cover of the hit song “City of Stars” on YouTube.

The hits don’t stop on social media, as the soundtrack took Austin Texas by storm; so much so, that FonsPR decided to re-create “A Lovely Night” dance sequence in honor of the film.

While star power, music, posters and social media are all great for La La Land, it is surely the plot that carries the film full circle. The film was not marketed as a regular modern romance, because it simply wouldn’t have reflected the feel of the film. How perfect that the marketing campaign mimicked that of a 1950’s Hollywood musical! Rather than marketing it as a romance, they focused on the musical theatre element, which brings a comeback sense of nostalgia. What audience doesn’t love to reminisce?

As stated before, they did not ignore social media, however they had to play this strategically since it was marketed similarly to that of an older film. They did this by keeping the posters, pictures and video under the nostalgic lens, keeping the older-film feel (even if it was viewed online). Though difficult, they played this successfully as La La Land quickly became one of the most talked about films online.

The film was initially released in early December, primed for awards season. La La Land doubled its screens (to 1500) the weekend that it won 7 Golden Globe awards. Due to its success, celebrities and press coverage gave La La Land some well-deserved recognition, adding to its success. See here for more details.

The marketing campaign did not end after the release date. While La La Land may have gotten a “Love it or Hate it” response, everyone can agree that such response certainly got people talking. So much so in fact, that Jimmy Fallon parodied the opening scene of La La Land to the opening  of the golden globes. To read more about La La Land’s campaign, see here.

While the film may not be for everyone, there is almost always something that can be found to reach everyone’s liking. Whether it is the actors who brought the public in, the music, the romance or even the vibrant colors, La La Land is a film that won’t be forgotten any time soon.

What were your first impressions of La La Land? Do you think La La Land’s different approach to marketing was effective?

Madison Steffen