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Archive for the ‘Film’ Category

Mar
21/13
Saudi Arabia’s Cinema: When the Wall Begins to Crack
Last Updated on Thursday, 11 April 2013 09:12
Written by ModernMediaMix
Thursday, March 21st, 2013

Since 1980, Saudi Arabia hasn’t had much of a real film industry. Commercial movie theaters and filming movies inside the country have been prohibited without the direct supervision of the government.

In recent years, particularly after the outbreak of the Arab Spring revolutions in 2010, the Kingdom of Saudi Arabia was affected, like other countries in the region, by these events and began to loosen up at many levels. Some of these forces have had an impact upon media and film.

For example, the government has started to ease restrictions on the freedom of expression and announced new regulations for production, publication and distribution. The new regulations allowed filmmakers to shoot movies inside the Kingdom in accordance with certain conditions.

Also, the regulations convert the power of sentencing anyone with a case related to media to a judging panel at the Ministry of Information, rather than the strict Sharia courts. Moreover, in 2012, the Saudi Council of Ministers issued a historic decision that dismantled the government media sector and turned some of its parts to semi-autonomous bodies.

All these developments coincided with changes in the status of women in the Kingdom.  Religious radicals, supported by the government, have argued for preventing cinema because they oppose women appearing in films. A part of the changes are the expansion of work opportunities for women, and the appointing of thirty women in the Shura Council, the equivalent of parliament in other countries.

Since 2011, a group of Saudi filmmakers have succeeded in producing new cinematic experiences that are distinctly Saudi Arabian. The majority of these productions were focused on the suffering of Saudi women and children within the society. Mostly, they used simple instruments and amateur shooting equipment to make short films.

The Internet was their first window to reach their targeted audience, paving the way to television appearances and then regional movie theaters. Some have found their path to international film festivals, both in the Middle East and around the world.

Surprisingly, during these days, Saudi women emerged dramatically as directors, producers and actresses. Reem Abdullah, Remas Mansuor, Reem AlBayyat, Ahd Kamel, and many others took the Saudi public by storm through different roles in film and television.

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While Haifa Al-Mansour, a maverick Saudi filmmaker, directed and produced “Wadjda”, the first full-length feature film to be directed by a woman in Saudi Arabia that was filmed entirely inside the country without direct supervision of the government.

Wadjda” follows a little Saudi girl’s quest of buying a bicycle in a conservative society. The film won the praise of many critics and has been introduced in a number of regional and international festivals, notably, the Dubai International Film Festival, the Venice Film Festival and the London Film festival. The film is expected to hit some U.S. theaters this year.

Saudi cinema is still in its infancy. Recent changes, although somewhat encouraging, are still modest in comparing to the challenges posed by customs and religious traditions which overwhelmed the Saudi cinema for decades. More time will be needed to tell whether these changes will lead to a quantum leap forward or if it is just a phase worthy of contemplation.

- Abdullah Al Daraan

Sep
14/12
Brokenhearted by the Breakup: Chinese Fans of Twilight
Last Updated on Saturday, 10 November 2012 10:51
Written by ModernMediaMix
Friday, September 14th, 2012

Us Weekly magazine recently published photos of Twilight Star Kristen Stewart kissing and cuddling with Rupert Sanders, the married director of her recent movie “Snow White and the Huntsman.” A heartbroken Robert Pattinson broke up with Kristen Stewart, and simultaneously broke the hearts of millions of Twilight fans. In the months that followed, however, the couple was caught dating again, spotted by the paparazzi outside a bar in LA, and leaving a Prince concert together.

Pattinson and Stewart’s breakup affected Twilight fans around the world, including their Chinese fans who call themselves “Twi-hards.” The news of Kristen Stewarts’s infidelity caused a great disturbance in Chinese-language online forums. Some fans, it seems, have become too caught up in the storybook romance and cannot tell fairy tales and reality apart.

As an administrator of The Twilight Saga China Fan Club, I have seen numerous Twi-hards posting their heartfelt reactions after Kristen was caught cheating on Rob.

 

 

 

 

A forum member named “TwilightSaga” wrote: “This incident influences my attitude toward love and life. I now understand that love is not as beautiful as I thought it to be. I also understand that love is not all, and this fact teaches me something I never wanted to believe.” “Kerrie” wrote: “I am always watching Kristen as another version of myself doing things that I cannot do.” As an administrator of the site, I tried to be calm and objective, hoping to maintain order and help the forum members, many of whom felt miserable about the whole situation. The Chinese “Twi-hards” posted fourteen pages worth of comments in the two weeks following the shocking revelation.

RadarOnline.com has reported that Kristen and Robert are legally required to promote Twilight: Breaking Dawn Part 2 together. Summit Entertainment has not been happy about their breaking up. Fans are not sure if they are really back together, or just pretending for promotional reasons.

Like many movie stars, Kristen Stewart and Robert Pattinson find it difficult to live private lives. Another administer of the Twilight Saga China Fan Club wrote: “They are just normal boys and girls living among us. Please be more calm and lenient instead of blaming either of them arbitrarily. However their relationship turns out, the happiness they have brought to us should not be doubted or forgotten.”

-Siying Bai

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Apr
03/12
Titanic: Romance and Tragedy in 3D
Last Updated on Sunday, 4 November 2012 08:21
Written by ModernMediaMix
Tuesday, April 3rd, 2012

The epic romance and disaster film Titanic, directed by James Cameron and starring Leonardo DiCaprio and Kate Winslet, was first released in theaters on December 19, 1997. At the time, Titanic was the most expensive feature film, with a production budget of $200 million. The film grossed $600 million domestically and over $1.8 billion worldwide. It also swept awards including Best Film and Best Director of the 70th Academy Awards and the 55th Golden Globe Awards in 1998. To memorialize the 100th anniversary of the real ship’s tragedy, Titanicwill come back to theater in 2D, 3D and IMAX versions on April 4th.

    1997            2012

In October of last year, Titanic’s domestic distributor, Paramount Pictures, showed eighteen minutes of 3D film footage in special screenings in Hollywood. Paramount also held free Valentine’s Day screenings in 44 selected cities. Recently, it even moved up its release date from April 6th to April 4th in order to launch ahead than its competitors.

Are people excited about the re-release in 3D? Perhaps less so, since they are converting the film from 2D to 3D, as with the Lion King, Beauty and The Beast, and Star Wars. What do converted 3D films really sell to the audience?

Director James Cameron had claimed in the past that he didn’t like the idea of 3D conversion, and that if the technology had been developed earlier he would have definitely shot Titanic in 3D. In order to have the best outcome, therefore he and 300 artists spent 60 weeks and $18 million on the converting process, without editing a single frame of the original cut. Viewers of the special 18 minutes footage made complimentary comments about the 3D conversion process. Even so, Cameron still maintains that the re-release of Titanic is in 2.99D instead of real 3D.

In a short featurette, available on the official Titanic re-release website, James Cameron discusses the conversion process and the profound meaning of Titanic. Cameron notes that the conversion not only changed the film into 3D, but that “3D definitely enhances small human interactions,” intensifying the intimate moments, making them more compelling to audience. “Titanic always has something for you, not matter what’s your age,” says Cameron. For those who saw Titanic before, there will be an element of nostalgia, but in 3D. For those who have never seen the film, it will be a moving and powerful new experience.

-Sheng Zhang

Nov
18/11
Summer Blockbuster Report –> Bigger Budgets = Smaller Box Office?!
Last Updated on Sunday, 4 November 2012 10:21
Written by ModernMediaMix
Friday, November 18th, 2011

Hollywood is rethinking their love of big budget summer blockbusters, and is downsizing their multi-million dollar budgets to adjust to the recessionary economic times.

Ryan Nakashima discusses how Hollywood has put two big budget films on hold, the film version of Stephen Kings “The Dark Tower” series as well as Disney’s “The Lone Ranger” which reported had a budget skyrocketing past $250 mil.

These changes are happening in response to this past summer, which produced some less than stellar box office numbers, including Universal’s “Cowboys and Aliens” which grossed $129 mil in worldwide tickets sales, but was produced for more than $163 mil.  There was also Warner Brothers’ “Green Lantern” which was produced for $200 mil according to the website boxofficemojo.com, however it made little revenue in the U.S., only grossing $120 mil.

Studios need to start realizing that just because a film has an astronomical budget, does not guarantee packed theaters across the country.

                 

A surprise summer hit was the character driven film, “The Help” starting Emma Stone and based on a best selling novel of the same name. “The Help” was made for only $25 mil and has grossed more than $160 mil to date in the United States. A more action driven summer blockbuster was J.J. Abrams, “Super 8” by Paramount. Made for a reasonable $50 mil the film grossed more than $130 mil at the box-office in the states, matching that tally in other countries.

What do these movies have that the others do not? Well for one thing they both have positive reviews, with 75% positive and 82% positive reviews on the website rottentomatoes.com.  More importantly they have characters that audiences care about. When you put big money in a strong character film along with dazzling visuals and a fantastic story, you may be lucky enough to strike box-office gold.

Does this combination sound familiar? Well one director in Hollywood has this combination down to a science, his name: James Cameron.  He has directed two of the biggest films in history. “Titanic” was produced for about $200 mil and it grossed $600 mil domestically, and 2009’s “Avatar,” made for $250 mil, went on to gross $2.7 billion, yes that’s BILLION in the box-office worldwide.

So what have we learned? You need more than just special effects and explosions to get people into the theaters, however that still has not stopped producers from making “Transformers 3.” Audiences are starting to demand a little substance in their Hollywood blockbuster.  And in this day in age where “Netflix” and online streaming is becoming the norm, Hollywood better start adjusting fast, or else there maybe more poorly performing “Green Lanterns” in their future.

-Steven Colonero

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Sep
29/11
Say Hello to Another Little Friend
Last Updated on Sunday, 4 November 2012 10:25
Written by Kazi_Smith
Thursday, September 29th, 2011

Universal Studios is starting pre-production for another Scarface movie.  Marc Shmuger and Martin Bregman will produce the new version of Scarface (Deadline). Bregman was a producer for the 1983 version of the film.  The movie Scarface has two previous incarnations.  The first Scarface film was released in 1932 and was about an Italian immigrant moving to Chicago and taking over the criminal underworld in the pursuit of the “American Dream”.  The starred Paul Mini, was produced by Howard Hughes, and directed by Howard Hawks and Richard Rosson.  The version of Scarface that better known was the version that was released in 1983 and had more or less the same plot but featured a Cuban immigrant and took place in Miami.  The 1983 Scarface starred Al Pacino and was directed by Brian De Palma.  The new Scarface is said to be neither a sequel nor a remake of either adaptation of the film, but yet another story altogether with the same general plot idea (Hollywood Reporter).

There are of course mixed feelings about another Scarface being in production.  Although the 1983 version gained mixed reviews by critics, the film has become a major cult classic thanks to the extreme violence, and Pacino’s superb acting.  The film has remained surprising popular over the years and is considered by many one of the greatest gangster films of all time.   However, there were also outcries when the 1983 blockbuster was made.  The 1932 Scarface was also considered a classic.  The 1932 film was known to be one of Howard Hughes works.  The movie  has since been selected to be preserved in the United States National Film Registry by the Library of Congress and has been voted the 6th best gangster film by the American Film Institute (AIF).

Image from the 1983 version of Scarface

The major argument that could be made in why not to remake the movie is that many people are still in love with Tony Montana.  There was a 51-year gap in-between the release of the previous Scarface movies.  It has not quite been 30 years since the release of the 1983.  In-between these 30 years then the movie has been an active piece of pop culture.  There have been many spoofs of the film as well as video game remakes and even a popular rap artist who calls himself “Scarface” based off of the movie.  I even remember the film still being heavily quoted around the time I first watched the film in the early 2000′s.

Remakes however, are something that happen with all great stories.  There will always be new generations that come with time and there will always be a need to recreate classics.  Even though remakes will always be compared to their previous rendition, they can often times turn out to be well made and thought out.  The new series of Batman movies is a great example of this.  The previous two Scarface films are legends and this one may be too, but I don’t think anybody would be too upset if it they waited another 20 years to make it.

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Apr
14/11
The Year of The Superhero Flick
Last Updated on Sunday, 4 November 2012 10:25
Written by steve.marksteiner
Thursday, April 14th, 2011

This year seems to be the year of comic book superhero movies, and I of all people am not complaining.  This trend does not seem like it is going to let up in the next couple years with movies that will intertwine and tangle with each other to form sequels upon sequels.  Take for example all of the Marvel comic movies that have came out recently such as The Hulk and Iron Man.  At then very end of these movies after the credits comes an Easter egg of the next upcoming movies to be released and the eggs at the end of those movies were for Thor and Captain America who are all ironically part of the Avengers.

All these movies are leading up to a grand finale where they can put all of these action hero’s into a movie together.  Same thing with the X-Men franchise after the first three came out they stared to do X-Men Origins Wolverine, which is expecting another film in the next year or so.  Now, X-Men First Class in coming out in June, which is basically the story of Magneto as a teenager and Charles Xavier, better known as Professor X.  The creators are also talking about doing  X-Men Origins on not only Wolverine, but for some of the other main characters from the group.  Oh yes, and did I mention that all four of these movies are coming out in the next two and a half months?  So needless to say, the box office should be pretty interesting in the upcoming couple months.

- Steve Marksteiner -

 

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